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Jules-Marc-Antoine Frappaz, Marie Antoinette's Boudoir. 1876, oil on canvas. Musée national du Château de Fontainebleau. |
Showing posts with label Decorative Arts. Show all posts
Showing posts with label Decorative Arts. Show all posts
Marie Antoinette's Boudoir at Fontainebleau
Then and now pictures of Marie Antoinette's Boudoir at Fontainebleau! Drawings are from 1876 and the photographs are from the 21st century. Is it to your taste?
The Dining room from Kirtlington Park
One of my favorite period rooms at The Metropolitan Museum of Art is the Dining room from Kirtlington Park, Oxfordshire. This room was designed mid-18th century, and walking through is really a transporting experience. The details in the panels, stucco, and chimney-piece are beautiful. The lighting and decoration are thoughtfully done. The wooden floors are original, and believed to be from trees from the owner's estate!
For your château? Chocolate Pot and Warmer
Perhaps each morning you would like to be served chocolate in bed, you know, just to get you a bit energized for the day or at least for your toilette.
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Chocolate Pot and warmer, The Young Moor's Head Factory, 1761-69. Tin-enameled earthenware.
The Metropolitan Museum of Art.
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This pot is made of clay, fired then glazed with a special glaze that would conceal any clay-colored flaws. The result is a perfect piece, hand painted with a floral and feathery motif. The colors are soft and would surely brighten any morning. Would you select this piece for your château?
A little more on chocolate:
Chocolate, the bitter drink restricted to kings, priests, and warriors when the Spanish first encountered it among the Aztecs in the 16th century, remained largely unknown in Europe until the next century. Exorbitantly expensive, it was a luxury available only to the wealthy in Europe. Since chocolate had to be stirred just before pouring — to mix the cocoa powder and sugar into the milk — a stirrer was incorporated into the design of the chocolate pot. The pierced hole in the lid through which the handle of the windmill-shaped stirrer, or molinet, protruded is the feature that distinguishes chocolate pots from coffee pots. No full-size chocolate pot is known to have preserved its molinet, possibly because the stirrers were made of wood and became discolored or worn over time.
"Chocolate, Coffee, Tea." The Metropolitan Museum of Art. 2004. Accessed April 21, 2015.
18th century, Birth of Design, Furniture Masterpieces 1650-1789
Marie Antoinette's jewelry case, used for storing her diamonds, rubies and other pearls, is one of the many stunning objects on display in a new exhibition at Versailles.
The exhibition 18th century, Birth of Design, Furniture Masterpieces 1650-1789 showcases the "innovative and avant-garde nature of the shapes, techniques, decorations and materials used in 18th century furniture." The 18th century saw a revolution in design and functionality, and the desire for multi-functionality in furniture.
18th Century Dog Houses
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The Metropolitan Museum's Wrightsman Galleries for French Decorative Arts. Photo: Carlton Hobbs LLC |
The 18th century saw some lucky pups! Here are gorgeous examples of 18th century dog houses in incredible condition for their age (and use!) This first dog house was likely a cozy place to sleep for one of Marie Antoinette's dogs!
Tapestry from Marie Antoinette's Drawing Room to be auctioned
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A tapestry panel hangs at Bantry House. Image via Bantry House. |
The Ruins of Rome: an amazing hand-painted 18th century grisaille wallpaper
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Wallpaper from Van Rensselaer Manor House. ca. 1768, Tempera on watercolor paper. Gift of Dr. Howard Van Rensselaer, 1928. Metropolitan Museum of Art. |
A few weeks ago I met up with my friend Abby from Schuyler Mansion at the Metropolitan Museum of Art. We made our way to the The Virginia and Leonard Marx Gallery in the American Wing to check out the Van Rensselaer Manor room. The room is enveloped in soft yellows and gray, very inviting and cozy. Here she told me about the original eighteenth-century grisaille wallpaper which was donated to the Met, but once hung in the front hall of the Van Rensselaer Manor House...
Secrets of an 18th Century Game Table from the Roentgen Workshop
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Room from a hotel in the Cours d'Albret, Bordeaux, Carving attributed to Barthélemy Cabirol (1732–1786) and his workshop. ca. 1785, with later additions; pine, painted and carved. Metropolitan Museum of Art. Photo by Lauren |
The Metropolitan Museum of art has a wonderful collection of 18th century furniture, which you can admire from the galleries.
An 18th century game table is on view in the Wrightsman Galleries at The Metropolitan Museum of Art. The Wrightsman Galleries display the museum's late 17th- and 18th-century French decorative arts collection. The space consists of nine period rooms and two galleries.
Some furniture has more to offer than a single function and the museum has shared a video showing the secret behind one such table.
Decorative Arts: A perfect gift to her mother, the Empress of Austria
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Martin van Meytens II, Portrait of the Empress Maria-Theresa of Austria. Oil on canvas, c. 1745-1750. The John and Mable Ringling Museum of Art. |
Inspired by Herculaneum, styles fit for Marie Antoinette
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Giovannia Battista Piranesi, Side Table. Gilt oak, lime wood, marble, 1768. The Minneapolis Institute of Arts. |
Labels:
Art,
Decorative Arts,
Herculaneum,
Louis XVI,
Madame de Pompadour,
Marie Antoinette,
neoclassicism,
Rococo,
Rome
Exhibition: Paris: Life & Luxury

As you pass through the exhibition, you walk through a day essentially, of an 18th century wealthy Parisian. You are surrounded by all the little splendors and necessities needed for the day. There will be furniture, art, architectural fittings, instruments and more.
"The exhibition will be a rich and deep sensory experience, engaging the viewer's initial attention with the compelling visual appeal of superlative and virtuoso works of art. From this breadth and diversity, visitors will learn generally about the contributions of the French, and in particular the Parisian, to the visual and performing arts, language, literature, history, science, and even culinary arts during this time period—in short, about their major contribution to the humanities at large."
Charissa Bremer-David, co-curator, Paris: Life & Luxury
The items come from collections around the world, and many from private collections. This is your chance to see a really wonderful grouping of items together for the first time, and all from our favorite century!
The exhibition is travelling, and will only be on view for limited times.
- J. Paul Getty Museum, Los Angeles: 26 April - 27 August 2011
- Museum of Fine Arts, Houston: 18 September - 10 December 2011
If you cannot make it to the show, you can now pre-order the exhibitions accompanying book, Paris: Life & Luxury in the Eighteenth Century
Labels:
Architecture,
Art,
daily life,
Decorative Arts,
Exhibition,
Furniture,
Paris,
Sculpture
Interior Decor: The 18th Century Athenienne
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If you want to add some 18th century flair to any room, all you need is a pair of these!
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Pair of tripod stands (athèniennes) After a design by Jean-Henri Eberts. 1773, Carved and gilded pine; brass liners; gilt bronze. The Metropolitan Museum of Art. |
A piece of furniture that became en vogue during the 18th century was the Athénienne, which came in pairs. The design was a French twist on a classical piece, which made its appearance in France around 1773. The designer, Jean-Henri Eberts, is said to have been inspired by the painting La Vertueuse Athénienne. Eberts owned the work at the time he came up with his design.
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Joseph-Marie Vien (1716-1809), Une prêtresse brûle de l'encens sur un trépied, dite La Vertueuse Athénienne. Toile. H. 0,895 ; L. 0,670. 1762. Strasbourg, musée des Beaux-Arts. |
The essential pedestal table is supported by a tripod base. You can have them in your living room or any room where you might entertain. According to the Metropolitan Museum of Art, Madame du Barry was one of the first to own a set of Athénienne which she had at Louveciennes.
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Detail. |
The multi-purpose athénienne was intended for entertaining in the salon or boudoir and was accordingly fitted with casters and an ormolu-mounted patinated copper cassolette, silvered on the inside and containing a removable spirit lamp, above which was set a tin-plated double boiler, surmounted by a marble slab and a patinated copper cover.
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A Pair of Louis XVI Style Atheniennes. Ordered by Lord Duveen through the Decorateur L. Alavoine circa 1932-34. Ormolu mounted giltwood. Christies. |
- an ornament and focal point in the middle of a room
- a table under a pier mirror , or in a corner, or as a pedestal to support a candelabrum or a piece of sculpture
- a perfume burner
- a heater for making coffee, tea, or chocolate
- a goldfish bowl
- a planter to grow bulbs in winter
- a bowl for cut flowers
- a device for keeping bouillon or other drinks warm.
An all around must have piece, no?
For your château? Armchairs
I am going to try a new format. Decorative arts are easy to love or hate, but let's try a comparison. Which do you prefer and why? The attention to detail was quite extraordinary in 18th century furniture.
I posted close up images so you could see the details better! Now, which piece do you prefer and why? What would you have in your château??
I posted close up images so you could see the details better! Now, which piece do you prefer and why? What would you have in your château??
Jean-Baptiste-Claude Sené, Louis-François Chatard, Armchair . French, 1788, walnut, gold, cotton twill, silk. The Metropolitan Museum of Art.
Georges Jacob, (upholstery style of: Philippe de Lasalle, Armchair, French. 1780-85,
Carved and gilded walnut, covered in embroidered silk-satin. The Metropolitan Museum of Art.
Aurora and Cephalus
Boucher, François and Maurice Jacques. Aurora and Cephalus, 1775-76. Wool and silk tapestry, Hofburg Palace, Austria.
Boucher worked with Maurice Jacques on several tapestries. The two co-created this piece, which is part of a set including which also includes Jupiter and Callisto, Vertumnus and Pomona, Cupid and Psyche and Venus Rising from the Waves. The set was given as a gift to Marie Antoinette's older brother Joseph II from her husband, Louis XVI in 1777. In this image, they can be seen in the Alexander Room at Hofburg Palace.
The two artist had worked together on art before. In this piece, Boucher is resopnsible for the scene of Aurora and Cephalus. Aurora, who is in love with Cephalus can only stare at his mortal body from her cloud. Unlike her, he is earthbound.
Outside of the scene, are decorative elements such as an elaborate frame, damask background, floral garlands draped about, candle stick holders and a vase. Jacques is responsible for the decorative elements which are suppose to give the illusion of a decorative wall. Once the tapestry is hung, it really brings something to the room, art, beauty and illusion!
To get an idea of color, click here for an image of the Cupid and Psyche tapestry.
Labels:
Art,
Boucher,
Decorative Arts,
Hofburg Palace,
Joseph II,
Louis XVI,
Marie Antoinette,
Maurice Jacques,
tapestry
Exhibition: Vienna Circa 1780
"...the splendor of royal dining during the ancien régime"
Vienna Circa 1780: An Imperial Silver Service Rediscovered is on view now through November 11, 2010. The exhibition features an amazing dining service on display in the Wrightsman Galleries. Why is this service so wonderful? It was made for the Duke Albert Casimir of Sachsen–Teschen and his wife Marie Christine, Marie Antoinette's older sister! The service was used at their banquets, and you can just imagine the table which it occupied...
The set took roughly four years to make, and was created for the royal couple by the court imperial goldsmith Josef Würth. Over the years the pieces were split up but in 2002 two wine coolers were discovered in a private collection. Now the Metropolitan Museum has on display the enormous set of over 300 pieces; wine coolers, plates, candlesticks, cloche &c. It is well worth a visit. The set has not been on display since the early twentieth century so do not miss your opportunity!

If you cannot make it to the show before December, you can get a copy of the exhibition catalog here: Vienna Circa 1780: An Imperial Silver Service Rediscovered (Metropolitan Museum of Art)
For your château? Meissen Vase
Meissen Factory. Vase, 1750. porcelain with ormolu mounts. Fine Arts Museums of San Francisco.
This lovely porcelain vase was made at the Meissen Factory around 1750. When the item was made the factory had been illustrious for 4 decades, and their pieces were de rigeur for the first part of the century. This vase features two exagerated handles on each side decorated with gilt vines and flowers. This motif is mimicked on the base of the vase. The dynamic flow of the base is very organic and implies the body of the vase is floating or balancing, quite gracefully, upon the growth (roots).
The body of the vase is also organic in shape and covered in very small and well detailed blooms. The texture is apparent and the blooms frame a miniature of a couple strolling through a pleasure garden. The nature of this piece, with all it's floral motifs and organic bulbus shapes may just be found within an exotic pleausre garden.
But what about your chateau? Perhaps it would sit upon the wooden end table in your living room? Or on your night stand in your private apartments? What do you say?
For your château? Andiron
Pierre Gouthière. Andiron, c. 1770/80. Gilt bronze. The Detroit Institute of Arts.
Here are a pair of andiron, made in France by Pierre Gouthière, when the new monarchs took the throne. Gouthière worked in Paris and received many commissions from Marie Antoinette, he was simply one of the best! The term andiron originated in the thirteenth century and now we also refer to them as firedogs. They are metal stands which are placed in a fireplace to hold logs.
Elegant in style, this pair was designed with architecture in mind. It would sit in the fireplace as we see it here. The logs lay across supports behind the gold banister, as if to represent keeping the fire within. I particularly enjoy the exaggerated and billowy flames bursting from the two vessels on either end. But how about you? Would you use these in your fireplace?
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