Showing posts with label For your château?. Show all posts
Showing posts with label For your château?. Show all posts

For your château? Chocolate Pot and Warmer


Perhaps each morning you would like to be served chocolate in bed, you know, just to get you a bit energized for the day or at least for your toilette.   


Chocolate Pot and warmer, The Young Moor's Head Factory, 1761-69. Tin-enameled earthenware. 
The Metropolitan Museum of Art.

This pot is made of clay, fired then glazed with a special glaze that would conceal any clay-colored flaws.  The result is a perfect piece, hand painted with a floral and feathery motif.  The colors are soft and would surely brighten any morning.  Would you select this piece for your château?

A little more on chocolate:
Chocolate, the bitter drink restricted to kings, priests, and warriors when the Spanish first encountered it among the Aztecs in the 16th century, remained largely unknown in Europe until the next century. Exorbitantly expensive, it was a luxury available only to the wealthy in Europe. Since chocolate had to be stirred just before pouring — to mix the cocoa powder and sugar into the milk — a stirrer was incorporated into the design of the chocolate pot. The pierced hole in the lid through which the handle of the windmill-shaped stirrer, or molinet, protruded is the feature that distinguishes chocolate pots from coffee pots. No full-size chocolate pot is known to have preserved its molinet, possibly because the stirrers were made of wood and became discolored or worn over time. 

"Chocolate, Coffee, Tea." The Metropolitan Museum of Art. 2004. Accessed April 21, 2015.





For your château? Armchairs

I am going to try a new format.  Decorative arts are easy to love or hate, but let's try a comparison.  Which do you prefer and why? The attention to detail was quite extraordinary in 18th century furniture. 

I posted close up images so you could see the details better! Now, which piece do you prefer and why? What would you have in your château??



Jean-Baptiste-Claude Sené, Louis-François Chatard, Armchair . French, 1788, walnut, gold, cotton twill, silk. The Metropolitan Museum of Art.




Georges Jacob, (upholstery style of: Philippe de Lasalle, Armchair, French. 1780-85,
Carved and gilded walnut, covered in embroidered silk-satin. The Metropolitan Museum of Art.

For your château? Meissen Vase

Meissen Factory. Vase, 1750. porcelain with ormolu mounts. Fine Arts Museums of San Francisco.

This lovely porcelain vase was made at the Meissen Factory around 1750.  When the item was made the factory had been illustrious for 4 decades, and their pieces were de rigeur for the first part of the century.  This vase features two exagerated handles on each side decorated with gilt vines and flowers.  This motif is mimicked on the base of the vase.  The dynamic flow of the base is very organic and implies the body of the vase is floating or balancing, quite gracefully, upon the growth (roots). 

The body of the vase is also organic in shape and covered in very small and well detailed blooms.  The texture is apparent and the blooms frame a miniature of a couple strolling through a pleasure garden.  The nature of this piece, with all it's floral motifs and organic bulbus shapes may just be found within an exotic pleausre garden. 

But what about your chateau? Perhaps it would sit upon the wooden end table in your living room? Or on your night stand in your private apartments? What do you say?

For your château? Andiron

Pierre Gouthière.  Andiron, c. 1770/80.  Gilt bronze.  The Detroit Institute of Arts.

Here are a pair of andiron, made in France by Pierre Gouthière, when the new monarchs took the throne.  Gouthière worked in Paris and received many commissions from Marie Antoinette, he was simply one of the best! The term andiron originated in the thirteenth century and now we also refer to them as firedogs.  They are metal stands which are placed in a fireplace to hold logs. 

Elegant in style, this pair was designed with architecture in mind.  It would sit in the fireplace as we see it here. The logs lay across supports behind the gold banister, as if to represent keeping the fire within.  I particularly enjoy the exaggerated and billowy flames bursting from the two vessels on either end. But how about you? Would you use these in your fireplace?

For your château? Louis XV Commode

Cressent, Charles. Louis XV Commode, c. 1730. Veneered Kingwood and gilt bronze. Wallace Collection.

A lovely chest of drawers which stands low, on four ornamented feet.   It is elaborately decorated in the round and the drawers are almost masked by the gilt details.  The handles used to open the drawers are actually created from the dragons' bodies which seem (and do) lift right off the surface they fly around.  The top is smooth marble, and there is an emphasized detail of the late, great Sun King in the center.

What do you say? For your château?

For your château? Potpourri Vessel

Potpourri "vessel", c.1760. Porcelain. Musée du Louvre.

This porcelain vessel is intended to hold fragrant potpourri.  It is decorated in the Chinoiserie style, in a soft pink with gold, cream and green accents.  Three men lounge and play a table game in the center of the vessel.  The top is detailed with a faux piece of silk (also porcelain) decorated with gold fleur de lis across it.  Madame de Pompadour had this piece on her mantel, would you have it in your château?



For your château? Wall Brackets




Anonymous, Wall Brackets, 1750. Gilded wood. Fine Arts Museum of San Fransisco.

A fine set of wall brackets, light weight, yet durable enough to hold a large candle or small porcelain figurine.

For your château? Secrétaire




Desk/secretary, 1730-35. Gilded pine, paint, varnished linden wood, decoupage prints, mirror. The Metropolitan Museum of Art.

This Italian secretary is ideal for storage, and writing letters. It contains the most delightful scenes of seasons, travelers and various modes of transport. The drawers below feature pastoral scenes, and the inside has been more recently lined with silk.

For your château?


Here is a series on decorative arts, which I have a particular fondness for.  The idea is simple; I present you with an object for your lovely 18th century estate.  Would you place it in your home or leave it for the tacky Duc of Dunkirk or Madame de Plunge (who has very ill taste)!

Chimney-piece and Over-mantel, c.1750. Pine, glass, mirror, marble. Victoria and Albert Museum.

So, here we have chimney piece complete with an over-mantle made of pine, marble and backed with mirror. The mirror is visible through the interlacing and ornate carved details.  The base of the chimney is marble. What do you say? For your château?