Showing posts with label Louis XVI. Show all posts
Showing posts with label Louis XVI. Show all posts

How did Marie Antoinette celebrate her 21st birthday?

Château Fontainebleau is the only royal and imperial château to have been continuously inhabited for seven centuries. Photo via Musee château Fontainebleau 

When a Queen turns 21, you have to do something big! Of course a party would be planned for her birthday, but what could be done to make the event even bigger? How about starting the party before her birthday even arrived? 36 hours before Marie Antoinette turned 21 the Faro tables opened!


Diamond feathers for her hair

"Spectacular old mine cut diamond and sapphire oversized feather brooch from Fred Leighton -- the one that fashion baron, André Leon Talley, borrows from time to time." source New York Social Diary

"I beg you will limit yourself to this ornament, even of which your charms have no need. This present should please you the more that it has not increased my expenditure, since it is composed of diamonds I possessed when I was a dauphin."¹
Even Louis XVI tried to curb Marie Antoinette's taste for tall headdresses, which were inspired by Georgiana duchess of Devonshire.  In this anecdote, he offered her a beautiful diamond aigrette, made of diamonds from his personal collection, to wear instead of the frivolous feathers. Subtle(?) gesture.

¹Métra, François. "Correspondance littéraire secrète." Neuwied, Société typographique, Janurary 9, 1775. Quoted in Langlade, Émile, and A. S. Rappoport. 1913. Rose Bertin: the creator of fashion at the court of Marie-Antoinette. New York, NY: Charles Scribner's Sons. 40.


Music to work with! New Playlists and 18th Century Music for Writing, Studying and Research


18th century private concert held in a ballroom with ladies wearing fancy court dress and a small group of musicians

I love working from home because I always feel so productive! Also - I can actually play music out loud or use headphones if needed! It is also a must when blogging. Music just helps me work. I have even started listening to certain soundtracks when reading, something I never use to do. What about you?

Here are some of my music mixes I made for working, writing and studying.  Also, some short soundtrack suites, 18th century music and the big one - (something I have always wanted to own) music from Versailles box set! <3


Tapestry from Marie Antoinette's Drawing Room to be auctioned

A tapestry panel hangs at Bantry House. Image via Bantry House.
A set of four tapestries was made for Louis XV on the occasion of the wedding between his grandson Louis Auguste and the dauphine, Marie Antoinette, in 1770.  Their original home was in Versailles and one panel  hung in Marie Antoinette's drawing room.

Royal Rings



Louis XVI removed two rings before he was executed 21 January 1793. Each ring he had always worn, one he wore ever since his wedding to Marie Antoinette. The other was a silver seal.


Meeting Louis XVI


On Louis XVI
"The King surprised me...

Royal Treasures from the Louvre: Louis XIV to Marie-Antoinette


When the Louvre sends art work to you, you go visit it!  The Fine Arts Museums of San Francisco has just opened their latest exhibition: Royal Treasures from the Louvre: Louis XIV to Marie-Antoinette. 


Remembering Marie Antoinette's Wedding [1793]


Here is an interesting account from 1793 regarding the wedding of Marie Antoinette and Louis Auguste, in an effort to make out the dauphine's character...


Royal Weddings: 18th century style


One year ago I woke up way too early to sip champagne and watch Kate and William's Royal Wedding. As inspiring as it was, and yes I may have gone into princess mode for a week or a few.... let's take a look at all the fun happenings for Royal Weddings in the 18th century!


A Queen's First Appearance or Marie Antoinette's hair



One of the most tragic figures of the 18th century was the young French queen Marie Antoinette, who only lived to be 37 years old. The beginning of her career as queen was also the beginning of her career as a fashion icon in Europe. Marie Antoinette was making major fashion decisions as early as the coronation of her husband, Louis Auguste in 1775. At just nineteen years old, Marie Antoinette had an important decision to make: what to wear!


The Fashionable Male: Fabre d'Eglantine

Jean-Baptiste Greuze, Fabre d'Eglantine.  Oil on canvas, around 1775-94. Musée du Louvre, Paris, France

This week's fashionable male is Philippe François Nazaire Fabre d'Eglantine as seen here, by famed painter Greuze. 


Louis XV: an early genealogical tree

Glokeur de Surchamps, The Fleur de France. Genealogical tree with thirteen miniature portraits. Museo Arqueologico Nacional, Madrid. Photo credit: Dominguez Ramos.

This is a really amazing piece, housed at the Museo Arqueologico Nacional in Mardid.  The elaborate gilt frame, titled Fleur de France (which can be seen towards the top) features thirteen portraits!


Inspired by Herculaneum, styles fit for Marie Antoinette

Giovannia Battista Piranesi, Side Table. Gilt oak, lime wood, marble, 1768.
The Minneapolis Institute of Arts.
As times changed at the palace of Versailles styles did as well. Madame du Pompadour as patron of the arts, loved the style of the Rococo, and its appeal lasted well through the first half of the 18th century.  With Madame du Barry filling her shoes, and the future king and queen Louis XVI, the Neoclassical style would become en vogue.


Kings of France Madame, they are always Louis

 "His forehead was large and his features strongly marked, he had rather a down cast, though a steady, look. His eyes were blue and large...he had full cheeks, a well proportioned mouth and regular teeth."

M. Montjoye on Louis XVI from Adolphus, John. 1799.  Biographical memoirs of the French Revolution. London: T. Cadell, jun. and W. Davies



Well they were not all "Louis" to be fair, but France had its share of Kings Louis on the throne.  Here are some of the later ones by artists Fouquet, Perréal, de Champaigne, Le Brun, and Duplessis.

If the portraits themselves are not pleasing to you, (who said all Kings were handsome?) perhaps the fashions and accessories, or complimentary reds and greens will be!


Jean Fouquet, Portrait of Louis XI. Oil on panel. Image Source.


Jean Perréal, Louis XII. c.1514. Windsor Castle. Royal Library.


Philippe de Champaigne, Louis XIII (1601-1643), King of France. Oil on canvas, 17th century. Musée Carnavalet.


Charles Le Brun, Portrait of Louis XIV. Painting, late 17th century.  Musée du Louvre.


Joseph Siffred Duplessis, Portrait of Louis XV, King of France (wearing breastplate and the Order of the Golden Fleece). Oil on canvas, 18th century. The John and Mable Ringling Museum of Art.


Joseph Siffred Duplessis, Louis XVI. Oil on canvas, 1777. Musée Carnavalet.

A pre-revolutionary flight: Louis XVˈs daughters

Adélaïde Labille-Guiard, Portrait de Adélaïde de France.
Pastel on paper, 1787. Palace of Versailles.

Jean-Marc Nattier, Madame
Victoire of France.
Oil on canvas, 1748.
Musée national des Châteaux
de Versailles et de
Trianon, Versailles.

Madame Adelaide and her younger sister, Madame Victoire, had lived in quiet retirement for some time before the French Revolution had fully developed. The women, who spent much of their time doing charity work and staying out of the public eye felt the dangers of the intense changing political thought.

They found it in their best interest to leave France for a while, until things quieted down. The ladies planned to travel to Rome where they would visit St. Peters, but ultimately they wanted to find a safe refuge. They secured their passports and with Louis XVI's permission, begun their journey.

The idea of members of the royal family leaving France, or fleeing France, was much discussed, and caused concern of planned escape of other members of the family, perhaps the king and queen, even plots of foreign involvement in the to-be revolution were considered.

The paper, Sabbats Jacobites, had written on the subject with much sarcasm:
"The Ladies are going to Italy to try the power of their tears and their charms upon the princes of that country.  Already the Grand Master of Malta has caused Madame Adelaide to be informed that he will give her his heart and hand as soon as she has quitted France, and that she may count upon the assistance of three galleys and forty-eight cavaliers, young and old. Our Holy Father undertakes to marry Victoire and promises her his army of three hundred men to bring about a counter-revolution."
 As a result of all the buzz, soon after they left, the daughters of Louis XV were detained at Arnay-le Duc, and awaited a decision from the National Assembly over whether or not they could proceed out of France.


Joseph Ducreux, Jacques-Francois
Menou (1750-1810). Pastel, black chalk,
blue paper on canvas, late 18th century.
Versailles National Museum of Versailles and Trianon.



The decision was not made in haste, and the National Assembly spent good time on the matter.  The matter was resolved after Jacques-Francois Menou made the following observation:
"Europe will doubtless be much astonished, when it learns that the National Assembly of France spent four entire hours in deliberating on the departure of two ladies who would rather hear Mass in Rome than in Paris."
 With this, the National Assembly permitted them to leave the country, much to the dismay of many.  Violent riots broke out in Arnay-le-Ducpreventing their departure for days.  Paris too saw its share of rioting over the decision.  When the mobs approached the Tuileries, where Louis and his family stayed, they demanded he order his aunts back.  Louis held his position, and did not grant their demand nor consider it any further, and the crowds eventually dispersed, and the women made their way to Rome.

Outside Versailles: Royal Wedding

Film still from Marie Antoinette (2006).


Marie Antoinette's wedding ceremony took place at one in the afternoon, to Louis Auguste.  That night, the new royal couple celebrated at Versailles with games, dancing and food.... 

Outside of Versailles, the people of Paris also celebrated (those who did not try to squeeze their way into Versailles!)  That night, there was not a window or wall to be seen in the great city that did not have a candle burning in honor of the royal wedding.


A letter from Maria Theresa

"Your wife, my dear Dauphin, has just parted from me. She was the delight of my life, and I hope that she will be the joy of yours. In this hope have I reared her, because I have long foreseen that she would share your destiny.  I have inspired her with the love of her duties towards you, with a tender and personal regard for you and with the intention of considering and obeying your wishes."


A letter from Maria Theresa to Louis Auguste.
 Challice, Annie Emma Armstrong. 1863. Heroes, Philosophers, and Courtiers of the Time of Louis Xvi, Volume 1. London: Hurst and Blackett.

Family Tree: Polignac

The duchesse de Polignac was popular for her unpopularity during the French Revolution.  The name Polignac became a word interchangeable with 'hate,' as her close relationship with Marie Antoinette made for ample stories of the worst types; her reputation suffered daily.  The family was not always hated, and indeed would not always be!This post will touch on some of the 'highlights,'' if y

The Polignac's were a noble born family, but they were not very well off and were really provincial noblesse. They claimed their family dated back to the fifth century, but between the fifth and the eighteenth there were few members who could be coined remarkable.

Not until the eleventh century does a Polignac claim family relations.  This lone Polignac began the tracing of the family tree.  Their claim to nobility traced back to Caius Sollius Apollinaris Sidonius also known as Saint Apollinaris, both a man of the state and a poet.  Sidonius married the daughter of Roman Emperor Avitus, the union was advantageous for Gaul-Roman relations.  He also became a senator of Rome, and bishop of Avernum. All his accomplishments were later topped by his becoming a Saint! Although the Apollinaris name dates to the 5th century, the family tree is a little fuzzy from there.

The 11th century Polignac participated in the First Crusade and retired in Vellay.  During the sixteenth century, since the court of Francois I, the later mistress of Henry II, Diane de Poitiers, had shown favor on the family.  Her influence on the family had a positive effect and indebted to her, a tradition was born; to name all daughters Diane.

The name was not commonly known again until the Abbe Melchoir who would become the Cardinal de Polignac.  His fortunes began early when he was sent to Paris for his education.  While there the Cardinal de Bouillon noticed the bright boy and had him accompany him as a secretary to Rome.  While there his personality beamed and he made many friends in high places.   His work in Rome caught the attention of Louis XIV.  One of the high moments of the abbe's life was when he helped persuade the King to sign the Treaty of Utrecht.  He became Cardinal de Polignac on the recommendation from the King of England.

Possibly Diane de Polignac
This Cardinal had a fine taste for art, was an accomplished writer, and spoke fluently in several languages.  He was worldly and hospitable and generous.  The fortunes of the Cardinal de Polignac were passed down the family to a nephew, whose daughter Diane secured the post of lady in waiting to the Comtesse d'Artois.  Her lively spirit and easy going personality won over the court, her good conversation and wit made up for a lack of beauty.  So popular she became, that she received the title of cannoness and a substantial income with it.

Diane's younger brother, Jules, remained at the family home in the country.  He was set up for a marriage of convenience with Yolande Martine Gabrielle de Polastron.  The marriage did not do either family any favour as they were both old nobility and poor nobility.  After she secured a friendship with Marie Antoinette did her lot improve dramatically. Her husband Jules and herself were given the title of duc and duchesse de Polignac. Her sister in Law Diane also reaped benefits from the friendship, as the King made her Comtesse and appointed her head of the household of Madame Elizabeth.

Etiquette strikes again: Teens find small escape

Upon Louis XV's death, a stunned Marie Antoinette and now Louis XVI stood in their inner apartments of Versailles.  Famously, they asked God to guide them because of the disadvantage of their youth.  Of course, a court does not wait for prayers or thought; there was proper etiquette to be carried out right away.

The Comtesse de Noailles, or as Antoinette referred to, Madame Etiquette, was the first to approach the dismayed couple with instructions on what to do next.  As etiquette demanded, they were to make their way to the Grand Salon.  Once their they had to receive visits from those royal princes who had to pay homage to the new King and Queen.

Naturally, performing such a task was tough at that time.  To those first in line, Marie Antoinette was introduced as the new Queen of France leaning weakly upon her husband with a handkerchief constantly up to her eyes and nose. 

That evening the court left for Choisy, and a carriage was called for the new King, his Queen, his siblings and his sister in law, the comtesse d'Artois.  No one was older than twenty in that carriage. Naturally, though grieving, and full of anticipation of what might happen next, the party all succumbed to laughter after the comtesse d'Artois mispronounced a word, striking a funny bone in everyone. 

Aurora and Cephalus

Boucher, François and Maurice Jacques. Aurora and Cephalus, 1775-76. Wool and silk tapestry, Hofburg Palace, Austria.

Boucher worked with Maurice Jacques on several tapestries.  The two co-created this piece, which is part of a set including which also includes Jupiter and Callisto, Vertumnus and Pomona, Cupid and Psyche and Venus Rising from the Waves.  The set was given as a gift to Marie Antoinette's older brother Joseph II from her husband, Louis XVI in 1777.  In this image, they can be seen in the Alexander Room at Hofburg Palace.

The two artist had worked together on art before.  In this piece, Boucher is resopnsible for the scene of Aurora and Cephalus.  Aurora, who is in love with Cephalus can only stare at his mortal body from her cloud.  Unlike her, he is earthbound.

Outside of the scene, are decorative elements such as an elaborate frame, damask background, floral garlands draped about, candle stick holders and a vase.  Jacques is responsible for the decorative elements which are suppose to give the illusion of a decorative wall.  Once the tapestry is hung, it really brings something to the room, art, beauty and illusion!

To get an idea of color, click here for an image of the Cupid and Psyche tapestry.